St. Andrews Beach Villa by Woods Bagot
St. Andrews Beach Villa is a magnificent modern home Woods Bagot Studio for CEO Nik Karalis. Australia is in a lovely location on the Mornington Peninsula in Victoria and offers a breathtaking view of the endless horizon above the sea. The house has only one level, but the entire building has been modernized to make the most of the hilly terrain.
The retrospective and contemporary St. Andrews Beach Villa shows the permanent potential of architecture and its ability to respond to the climatic and natural diversity of the dunes. With 20 years of incremental and extensive additions, a variety of manipulations and a weatherproof patina, the St. Andrews Beach Villa has committed itself to the natural and coordinated landscape to be one with its overall context. Both as a frame and as part of the hilly landscape, the villa improvises and adapts to its personality by performing various shady sequences in response to rapidly changing weather patterns. The main idea is one of the connections and answers to their context as a dialogue and commute between nature and building.
St. Andrews Beach Villa shows an attractive situation for slow projects that evolve over time and exceed the purpose of their original understanding. In the first phase, the apartment is divided into two main elements (life and sleep), both with a 3-meter fork entry for cross-flow ventilation and to present the width of the location to the visitor at the time of arrival. This front door leads to a large 24 meter deck with steps down the deck. Heroically scaled, the house lands appropriately on soft sand. The transparent, southwest-facing metal and glass facade absorbs the dune landscape within the 30-meter singularity and makes the overwhelming experience of nature felt from anywhere inside.
The rest of the villa's armature is clad in a Jarrah rain curtain with swivel and swivel screens through which the northern lights can flow into the interior. The second tier was pulled back to the wind-protected north by adding a large deck that enters the main entrance slot, which includes a lap pool, a cabana, and a secluded greenhouse. The progressive design ends with penetration into the lower slot, where a third microclimate is created, mostly in the sunken area. It's a great break with four additional bedrooms, a connecting gallery, and an indoor greenhouse that's under the stairs. Jarrah steps in the glass display case support the surrounding sand and soft limestone cliffs found during the excavation. Jarrah railway sleepers are used as exposed cargo hold, stairwell and ceiling cladding – a foil in metal-clad bedrooms, each facing the northern courtyard.
Ironically, the continuing deterioration inspired the final choice of materials and details of the interior. Most pre-rusted linings have become wall surfaces and complex carpentry components. Rare, weathered wood is reused internally. Every detail is constantly borrowed and refurbished – from the curved edges of the untreated wood veneer on the inside to the oversized stair rails made of 45-degree sheet steel, which become folded library tables and firewood storage. The combination of the worn and flexible surfaces of ordinary and elegant materials celebrates the temporal nature of decay. The three phases stabilize the project and enable the residents to remain under the stormy violence of the southern air, the happy daylight of the north and protection.